We identified genetically diverse populations that require habitat corridors and instituting of translocation programs to aid the koala’s survival in the wild. Historical demography showed a substantial population crash coincident with the decline of Australian megafauna, while contemporary populations had biogeographic boundaries and increased inbreeding in populations affected by historic translocations. We characterized novel lactation proteins that protect young in the pouch and annotated immune genes important for response to chlamydial disease. We reveal that the koala’s ability to detoxify eucalypt foliage may be due to expansions within a cytochrome P450 gene family, and its ability to smell, taste and moderate ingestion of plant secondary metabolites may be due to expansions in the vomeronasal and taste receptors. We sequenced the koala genome, producing a complete and contiguous marsupial reference genome, including centromeres.
The koala, the only extant species of the marsupial family Phascolarctidae, is classified as ‘vulnerable’ due to habitat loss and widespread disease. Nature Genetics volume 50, pages 1102–1111 ( 2018) Cite this article Latido Films handles international sales on “Secaderos.” It was produced by Olmo Figueredo of La Claqueta, one of the driving forces of Andalusia’s production sector, in co-production with La Cruda Realidad, Secaderos La Película A.I.E., Un Capricho de Producciones and Amplitud Inc., in association with DDT SFX and Fourminds Films.Adaptation and conservation insights from the koala genome She also just shot a short 16mm experimental film that is currently in post. Mesa is now writing a feature film set in Spain’s Sierra Nevada mountain range and is developing a short and a feature with her partner Jana Díaz-Juhl that are meant to be co-produced with the U.S. Martí, Ribé and their DDT Special Effects company are currently working on the Almodovar Western short “Strange Way of Life,” with Ethan Hawke and Pedro Pascal. Luckily, ‘Secaderos’ had a loving and compassionate art team that made the task sweet and relatively easy,” she added. “As far as animals are concerned, we had everything: Snails, crickets, dogs, birds, goats, rabbits… I thought it was essential to narrate life in the countryside.
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“I believe that children and animals can be a gift full of purity and truth, it is simply necessary to give them the patience and empathy that they require,” she mused, adding: “Good casting is key, so it’s worth investing a little more time in that phase, as well as expanding set times when they’re on stage, giving them space to play and create.” Mesa, who now lives between Los Angeles and Spain, draws from her own experience living in such a rural town where tobacco was the predominant crop. At first the younger girl and her friends are the only ones who can see the creature but it later manifests itself to the adults, healing them all in the process. Set in the tobacco plantations of rural Granada, “Secaderos” follows two young girls, a younger one who is visiting from Madrid and a teen who has worked with her parents at the tobacco plantation all her life and who yearns to move to the city.
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They come from working on blockbusters, but they had the humility and compassion to know how to adapt to a small shoot with limitations,” said Mesa who also spoke of dangerous hurricane winds and a huge storm that hit them during the most complex shooting day of all. “Working with the creature, or as we liked to call it, La Nico (“Nicotine, Nico for friends”), was truly magical thanks to the wonderful team at DDT. “I had a harness on my shoulders and used the levers to move the creature’s face and head, we had never designed anything like this before,” he said, adding that they were working on four different projects at the same time. “We couldn’t use real tobacco leaves as they would change color and were too heavy, so we hand painted each leaf out of fabric that was 80% silk and 20% cotton,” said Martí of the long process. Martí volunteered to man it, enduring the scorching heat of Granada in the worse summer month of the year, August. Inspired by the works of Hayao Miyazaki and Jim Henson, they fashioned a tobacco leaf-covered creature that would move with a system of levers and monitors inside it.
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